(forthcoming)
Pacific Literature and the Environment | University of Hawai’i Press |”The Language of Recognition: One Indigenous Approach to Pedagogy”
They Rise Like a Wave: An Anthology of Asian American Women Poets | Blue Oak Press “Cedar Waxwings, Pyracantha,” from A Queer Ornithology, “Islanders Waiting for Snow,” from Inside Me an Island
2020
Living Nations, Living Worlds: A Map of First Peoples Poetry | Library of Congress Story Map, Curated by U.S. Poet Laureate Joy Harjo
When the Light of the World Was Subdued, Our Songs Came Through | A Norton Anthology of Native Nations Poetry, Edited by Joy Harjo
Foglifter Vol 5. Issue 2 | “That Mockspangled Banner or, An Unincorporated Amendment”
13 Moons 13 Meals | Pulan Collective Chapbook
2019
The Learned Pig | “Song to Curse the Industrial Revolution,” “Mochong Sees Her Reflection in the Sea” from A Queer Ornithology
World Literature Today | “Calls to Demand a Return (for a Fair Price, in Good Faith) or, With Typhoon Wind: We, Prisoners of Conscience, Protest Bars and Bullets, Swallowed Fledglings, the Gone Hurricane of Pelicans (from alcatraces), and Further Desecrations” from A Queer Ornithology
Kritiker | Swedish translation by Helena Fagertun of selected poems from Inside Me an Island
RedInk Journal | “Preparing the Body”
Tayo Literary Magazine | “Cedar Waxwings, Pyracantha” from A Queer Ornithology
Poem-a-Day | Academy of American Poets| “Calls to Indicate Safety in Numbers” from A Queer Ornithology
Indigenous Literatures from Micronesia | Edited by Evelyn Flores, Emelihter Kihleng | The New Oceania Literary Series | UH Manoa Press
2018
Arc Poetry Magazine | Volume 87 | “Current, I”
Red Ink Journal | “One Way to Predict the Future,””Enchanted Rock, Texas,” “A Walnut Tree,” “A Night Crowded With Night”
Fence | Volume 34 | “Spectator,” “A Curse Dismantled via a Facile Understanding of Photonics”
Lit Hub | New Poetry by Queer Indigenous Women | edited by Natalie Diaz| “Come Sit Around This Stone,” “Low Mountain Lake Song”
Kinalamten Gi Pasifiku (Insights from Oceania)| “A Love Letter to the Chamoru People in the Twenty-first Century”
Hawai’i Review | “Capacity” an e-chapbook
2017
Kartika Review |Asian/Pacific Island Writingscape Commentary |An essay: “In This Current Era”
Nevertheless, #She Persisted | Locofo Chapbook, edited by Barbara Jane Reyes | “hyphenation” , “Kituwah”
A Transpacific Poetics | edited by Sawako Nakayasu and Lisa Samuels | Selected poems from A Bell Made of Stones
2016
Poetry Magazine | “One Kind of Hunger”
Narrative Witness: Indigenous Peoples Australia/United States | International Writing Program, University of Iowa | “Makahna” (short fiction)
2015
Oxalis (Dropleaf Press) | “An Oiled Groove,” “Your Distraction Was Mechanism”
2012
Storyboard: A Journal of Pacific Imagery |“Kituwah,” | Volume 12 | The University of Guam
Witness | Selected poems from Actions | The Black Mtn. Institute
The Anthology of Indigenous Writers of Micronesia | Fiction: “Ghuåhan”
2011
Platte Valley Review | Selected poems from Actions | Volume 33
The Offending Adam | “Banana Queen,” “Letters from an Island”
Volume 083
Nano Fiction | “Just Because I Was Sleeping Does Not Mean I Dreamed It” Volume 4.2
2010
The Fiction at Work Biannual Report|”Goliath”
Tinfish Journal | Selected poems | Volume 20
dislocate | Nonfiction: “Reticulation,” Contaminated Essay Contest Winner| Issue 6
2009
Versal | “Suit” | Issue VII
Fiction at Work | “Goliath” | July 1st Edition
